Jean-Louis Gaillemin (1944)

Jean-Louis Gaillemin (1944)

In the seventies and eighties, Jean Louis Gaillemin sidelines of his work
on geometric compositions (Décors du Club 7 and Palace) presents his collages
in La galerie du Roule, Rodolphe Perpitch and François Bellet. Their theme:
intrusion of
beefcake” of the American studios in the icons of Western art.

Louis Aragon encourages it to continue this challenge to paintingthat starts from the beginning of digitally
2000s In 2008, this aspect of the work in “indoor Men” in the ALB Antiquités gallery.

Since 5 years, Studio photography allows him to play with the theme of the academic” nude that seeks to transcend the poses and treatment of the body. At the Nobilis gallery in 2012 , the heraldry ornaments, jewelery or cutlery
adorn the bodies and faces of his models. “Metamorphoses” that oscillate between tattoo, clothing, mask and body painting.

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